{"id":4753,"date":"2026-02-20T06:13:29","date_gmt":"2026-02-20T06:13:29","guid":{"rendered":"https:\/\/marina-razumovskaja.at\/?page_id=4753"},"modified":"2026-03-02T20:02:32","modified_gmt":"2026-03-02T20:02:32","slug":"tanzerin","status":"publish","type":"page","link":"https:\/\/marina-razumovskaja.at\/en\/tanzerin\/","title":{"rendered":"Dancer"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"b641d980\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\"Dance is the art of letting the body speak.\"<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"105788141\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Dance & Interdisciplinary Work for the Stage<\/strong><\/p>\n

Marina Razumovskaya began her dance training in childhood and learned various styles\u2014ranging from folk to modern dance to contemporary dance. <\/p>

At the Mozarteum, at the Orff Institute, she studied music and dance, where she increasingly developed her own improvisation and an interdisciplinary approach to stage work.<\/span><\/p>\n


<\/p>\n

Artistic Profile<\/strong><\/p>\n

As a dancer and castanet player, she performs simultaneously, creating a unity of rhythm, body, and sound.<\/p>\n

Sie tritt solistisch auf, arbeitet mit Orchestern und verschiedenen Ensembles, in denen Tanz und Kastagnetten vereint werden, und steht zudem im Duo mit  Cecilio Perera<\/a> auf der B\u00fchne.<\/p>\n


<\/p>\n

Expression & Presence<\/strong><\/p>\n

Her dance is free, expressive, and emotional\u2014she embodies music and makes feelings visible.<\/p>\n

Marina has gained experience on numerous stages, including at festivals both nationally and internationally. Her performances combine dance, live music, and castanets into a powerful, immediately palpable stage presence.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The Complete Story\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"105788141\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Dance & Interdisciplinary Work for the Stage<\/strong><\/p>\n

Marina Razumovskaya began her dance training in childhood and learned various styles\u2014ranging from folk to modern dance to contemporary dance.<\/p>\n

At the Mozarteum, at the Orff Institute, she studied music and dance, where she increasingly developed her own improvisation and an interdisciplinary approach to stage work.<\/p>


<\/p>\n

<\/p>\n

Artistic Profile<\/strong><\/p>


<\/strong><\/p>\n

As a dancer and castanet player, she performs simultaneously, creating a unity of rhythm, body, and sound.<\/p>\n

Sie tritt solistisch auf, arbeitet mit Orchestern und verschiedenen Ensembles, in denen Tanz und Kastagnetten vereint werden, und steht zudem im Duo mit Cecilio Perera<\/a> auf der B\u00fchne.<\/p>


<\/p>\n

<\/p>\n

Expression & Presence<\/strong><\/p>\n

Her dance is free, expressive, and emotional\u2014she embodies music and makes feelings visible.<\/p>\n

Marina has gained experience on numerous stages, including at festivals both nationally and internationally. Her performances combine dance, live music, and castanets into a powerful, immediately palpable stage presence.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u201eIch tanze und verbinde Rhythmus, K\u00f6rper und Emotionen zu Ausdruck und Energie.\u201c Tanz & Interdisziplin\u00e4re B\u00fchnenarbeit Marina Razumovskaja begann ihre Tanzausbildung im Kindesalter und erlernte verschiedene Stile \u2013 von Folklore \u00fcber Modern Dance bis hin zum zeitgen\u00f6ssischen Tanz.  Am Mozarteum, am Orff-Institut, studierte sie Musik und Tanz und entwickelte dort zunehmend ihre eigene Improvisation sowie […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4753","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/pages\/4753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/comments?post=4753"}],"version-history":[{"count":46,"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/pages\/4753\/revisions"}],"predecessor-version":[{"id":6115,"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/pages\/4753\/revisions\/6115"}],"wp:attachment":[{"href":"https:\/\/marina-razumovskaja.at\/en\/wp-json\/wp\/v2\/media?parent=4753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}